A Texas childhood, a young sailor in the Navy during World War II, a young caller struggling with some basics—all key pieces that led to a successful calling career and a big life for Marshall Flippo. But how do you capture it all?
How do you do it? In words, pictures and sound. Obviously, I did capture it with words and pictures in his authorized biography, Just Another Square Dance Caller. I wanted to bring that story to life.
We are a visual and auditory world today! As a retired teacher, I know the importance of visual tools. I saw it every day in my classroom; students responded better to any lesson with some visual aide. Whenever I added sound, it also enriched the student’s experience.
In our visual/auditory world, people live their lives attached to their SmartPhones, iPads and desktop computers. Our digital world overflows with visual and auditory stimulus, so I harnessed those tools in a fantastic marketing tool to capture some of Marshall Flippo’s big life—book trailers (like movie trailers).
Here’s some key findings about visual learning:
- Of all the information transmitted to brain, 90% is visual.
- As opposed to text, visuals are processed 60,000x faster.
- Humans are capable of getting the sense of a visual scene in less than 1/10th of a second.
- 40% of nerve fibres are linked to the retina.
- Our brain can see images that last for only 13 milliseconds.
- Human eye can register 36,000 visual messages every hour.
As a retired teacher, I know the importance of visual/auditory tools, so I’ve created three trailers to capture three keys areas of Flippo’s life: his childhood and Navy life, his after party skits, and his motto and where that led him here in the United States and the world.
Here are the three trailers! Let me know what you think!
I have a fourth one in production, but what would you suggest after that? I know I need to do one for CALLERLAB. How about Flippo’s athletic interests? What else?
An auditory opportunity came out of the blue for Flippo’s book! Marty Northrup interviewed me on Monday, July 13, 2020 on his podcast, Marty’s Podcast about Flippo’s book. Here’s the link:
Marty has interviewed many national and international leader/callers in the square dance world, so I felt honored to share my stories about Flippo and his biography.
The list of callers he has interviewed is a Who’s Who of Calling:
- Steve Kopman
- Jerry Story
- Gary Shoemake and Ken Bower
- Jerry Biggerstaff & Greg Jones
- Lilith Kopman
- Darryl Lipscomb
- Justin Russell
- Elmer Sheffield, Jr.
- Tom Miller
- Randy Page
- Texas Tornadoes—Ross Howell and Darryl Lipscomb
- Marshall Flippo Remembered – John Flippo
- Ken Ritucci
- Wade Driver
- Tony Oxendine
- Patty Greene
- Betsy and Roy Gotta
- Ted Lizotte
- Noah Siegman
- Mike Sikorsky
- Jerry Junck
Lastly, I will celebrate Flippo’s big life at the Zoom Release Party of his biography on Wednesday, July 29, 2020 at 7:00 p.m. MST. I will have door prizes, stories about the book production, and Flippo’s songs. Here’s the link to the Facebook event to register:
Visual, auditory, words—all tools to describe! After interviewing Flippo, I had over 258,000 words, so I had to condense that down considerably. His biography is nearly 600 pages long with over 450 pictures, depicting Marshall Flippo’s life, a very big life!
What do you think?
~DO YOU WANT AN PERSONALLY AUTOGRAPHED COPY OF THE FLIPPO BIOGRAPHY? AVAILABLE NOW! New shipment coming in this wee! Yahooo! Go to my website and pay for it there: https://www.laradasbooks.com
ALL FOUR E-BOOK FORMATS OF FLIPPO’S BIOGRAPHY AVAILABLE NOW. Apple Books (US) – https://books.apple.com/us/book/just-another-square-dance-caller/id151164203 Kobo (US) – https://www.kobo.com/us/en/ebook/just-another-square-dance-caller Apple Books (CA) – https://books.apple.com/ca/book/just-another-square-dance-caller/id1511642036 Apple Books (UK) – https://books.apple.com/gb/book/just-another-square-dance-caller/id1511642036 Apple Books (AU) – https://books.apple.com/au/book/just-another-square-dance-caller/id151164(US) Amazon Kindle (US) – https://www.amazon.com/Just-Another-Square-Dance-Caller-ebook/dp/B088QS9RH8 Amazon Kindle (UK) – https://www.amazon.co.uk/dp/B088QS9RH8 Amazon Kindle (CA) – https://www.amazon.ca/dp/B088QS9RH8 Barnes and Noble Nook (US) – https://www.barnesandnoble.com/s/just%20another%20square%20dance%20caller
~ RELEASE PARTY of Flippo’s biography on Zoom on Wednesday, July 29, 2020 at 7:00 pm MST! Be ready! Door Prizes, the inside story, Flippo song bytes & interview clips and more!~Visit my web site for all the information
~Visit my web site for all the information you need about me and my books: https://www.laradasbooks.com
As I continue to write Marshall Flippo’s authorized biography, I ponder his life and how it unfolded. Flippo’s success as being the most famous square dance caller in the world didn’t just happen. He had friends galore across the United States and internationally, and he treated them fairly and returned to square dance clubs and festivals for decades for repeat performances at numerous places. How did he engineer such a successful career?
He always credited Neeca, his first wife, with his business success. Early on his career, she planned out a successful tour after people became acquainted with him at Kirkwood Lodge at Osage Beach, Missouri where he spent six months of his year. From the clientele that visited there, Neeca lined up a tour across America and the world, and the clubs and festivals were so pleased with Flippo’s performance, that he was repeatedly asked back—some places over thirty to forty years of continuous visitation.
Imagine that—an annual six-month tour filled to the brim with dancers who were anxious for his return every year. Marshall’s supreme memory compelled people to love him dearly because in many cases, he called them by name after his year absence. This can’t be explained or identified at face value—his people skills endeared him to the dancers.
So, what made him so successful? When asked, Flippo said it was luck and being at the right place at the right time, but there was so much more.
He was committed to his craft of square dance calling and practiced extensive hours—Melton Luttrell, his longtime caller friend, remembered him practicing singing calls while he was driving down the highway. Being on the road for six months of the year gave him ample practice time.
Another caller noted Flippo refusing to participate in an after party at a convention so he could practice his calls before the next day’s events.
Flippo’s talent of unique choreography and his wonderful singing voice won him many fans—he was a star in the square dance world to many. To hear him sing “The Auctioneer” which was his first recording and became highly successful, his clear voice and choice of popular music shines through.
Check out a snippet of Flippo’s famous singing call recorded in 1958:
He connected deeply with other callers who helped him. One caller mentor was Betty Casey of Abilene, Texas who had studied with Lloyd “Pappy” Shaw in Colorado Springs, Colorado and influenced Flip with Shaw’s teachings. She is the one who taught Flip to call.
Flip received more of Shaw’s dance philosophy from another mentor, Bob Osgood, the editor of the highly successful square dance magazine, Sets in Order.
Another mentor from Abilene, Texas was J. C. Wilson who took the young Flippo under his wing and help him with his rhythm and shared something unique—Burma Shave jingles that were popular at the time. J. C. used the jingles as fillers as dancers did certain calls or moves. Flip became known for his selection of these jingles and other callers followed suit and “borrowed them” from Flip.
Flippo’s career started in the late 50’s and early 60’s during a time that square dancing flourished, so he had events with record numbers outrageous in size compared to ours today. The large number of dancers increase Flippo’s popularity worldwide and the number of fans increased.
Success formulas are hard to analyze—as Flippo said being at the right place at the right time did have a impact, but his personality, talent and well-planned tour with its connection to Kirkwood put him in a place to become one of the most successful square dance callers in the world.
And, I promise you, as I continue writing this amazing book, I will continue sharing my musing with you!
Check out my web site at https://www.laradasbooks.com
SUMMER SAVINGS UNTIL JULY 15, 2019: 25% off of both paper and digital copies of my book, A Time To Grow Up: A Daughter’s Grief Memoir, at my Etsy Shop, Larada’s Reading Loft.
Whitey & Gladys Puerling were playful friends of Flippo’s who created a Fan Club. I thought it would be fun to recreate this group. Would you like to join the Marshall Flippo Fan Club Facebook page? Read interesting posts about Flippo’s life. https://www.facebook.com/groups/328325644382769/
Do you want to pre-order the Marshall Flippo biography? You can select which paper format or e-book format you would like? Go here to order the version you want. Monthly SWAG Giveaways! https://goo.gl/forms/4D4hwbHdme1fvJc42
In one of our last interviews for Marshall Flippo’s biography, I asked him, “I have a question: if I was to ask you to describe yourself, how would you describe yourself?”
His short response, “Don’t ask me!” His humorous response made me laugh again, like so many times during these interviews. His sharp sense of humor caught me off guard regularly.
After a moment, he answered with a chuckle, “A little short squirt with lots of luck! That’s about it!”
This topic tickled him and he added, “A little short squirt—after all, a lot of people didn’t know me when I had hair, but, anyway, a little short squirt with lots of luck!” I complimented him on his concise description but wondered about it. I have mused over it for months now.
Flippo often referenced this thought about how lucky he was in relationship to all his life, not just his calling life and added, “I was at the right spot at the right time!”
When Flip shared about his Navy assignments, he felt he was lucky to a “Baker and Cook” in the first couple years, and then to play baseball his last two years. When Flippo described his hitchhiking experiences between San Diego and Abilene after Basic Training, he felt it was luck that got him considerate people who picked him and his friend, Thurman Curry, up and helped them out so much.
He often referred to himself as “the luckiest man in the world” to marry Neeca and praised her frugal nature and scheduling genius to make his calling career so successful.
Standing back and looking at Flippo’s successful calling career, the threads of cause and effect weave their way through, but was it all luck?
Neeca and Flip started square dancing in 1951, and he began calling in 1952 in a chicken coup, at a time there wasn’t much recorded calling. So, he agreed to be one of several dancers to memorize a song and call it. From this agreement, his career sprung and he started calling regularly.
Calling careers, though, aren’t made overnight, so Flippo persisted. In 1957, two callers from Houston stopped by his dance in Abilene and heard him do “The Auctioneer,” a popular song at the time recorded by Leroy VanDyke. They suggested he connect with Norman Merrbach in Houston who owned Blue Star Records to record this song.
So, he called Norman. When Norman heard the title of the song, he told Flip that callers wouldn’t like it because it had too many words to say. Flip let it go, and a few months later received another phone call from Norman saying, “Let’s record it!” They did and were able to do it on the first take, and his career took off from that one lucky phone call and visit from two strangers.
His luck continued that year. A bus driver who happened to drive graduating seniors to a resort in the Lake of the Ozark’s area, Kirkwood Lodge for their senior trips, stopped by one night in Abilene. Flip and Neeca were told: “Throughout the season, they square danced as the majority activity at this resort,” and the bus driver suggested Neeca and Flippo go.
This was a turning point in Flip’s square dance career: they were getting burned out on square dancing and considered quitting, but this vacation became one of the luckiest trips they ever made. They went and had a great time, and returned for several years. In 1961 Flippo became the resident staff caller at Kirkwood Lodge for six months out the year. He did this for 42 years—a solid career choice and quite lucky, wouldn’t you say?
His 42-year tour schedule became the next lucky piece of the puzzle. Visiting dancers coming to Kirkwood would ask Flippo to come to their hometown and call a dance or festival. Neeca managed this growing list and sizeable schedule and put together synchronized tours after Kirkwood’s six-month season that began in October. He went north, east, south and home for Christmas. After time home in Abilene, Texas, Flippo started the new year going through the Midwest, then back home, west, and back to Kirkwood to start the new season there in April.
The backbone of these tours and his success lay in repeated weekend and week-long festivals that continued for thirty and forty years! At one time in his career, it took a club nine years to have Flippo call for them!
Also from Kirkwood, Flippo became an international success, gaining fans across the seas. He toured Japan, Germany, Spain and England because of foreign dancers’ time at Kirkwood with Flip. Again, they wanted dancers back home to experience square dance Flippo-style!
Another piece of the puzzle for Flippo’s success stemmed from the network of friends he made in the calling and dancing worlds. He treated people fairly which made him a Godsend to dance organizers. He connected deeply with many callers—so many that when we started this project of his biography, he wanted to tell stories on all his caller friends, and he dictated a list to me—he named 67 callers he wanted to tell a story about for the book. I’m sorry to say that we can’t include all of them because of size restraints.
Flippo’s calling career spanned sixty-four years. He recorded 100’s of records for several recording labels and he traveled extensively!
Luck? Being at the right place at the right time? I don’t know about you, but I disagree with Flip. Yes, luck did have a hand in it. He flourished at a time when square dancing was in its heyday—he recalled easily that an event had 40 or 50 squares! But I’ve danced to him for years, and I enjoyed his choreography, his Burma Shave jingles he interwove in the patter and his friendly nature.
All of our lives are about choices we make and how this choice today affects what happens tomorrow and the next day, unfolding into a life time. Flippo succeeded because he made some choices which like a domino effect, tumbled to the next success which tumbled to the next one! Yet, at the core of his success: he was in high demand because he was who he was–Marshall Flippo!