Marshall Flippo · My Thoughts · square dance

How Did “The Auctioneer” Affect Flippo’s Career?

"The Auctioneer" received a Gold Record Award in 1967 for selling 500,000 records

The recording of “The Auctioneer” became a decisive moment in Marshall Flippo’s square dance calling career. How it unfolded supports his often-repeated motto: “I was at the right place, at the right time.”

LEROY VAN DYKE RELEASED “THE AUCTIONEER”

            First, Leroy Van Dyke released “The Auctioneer” in 1956.

Van Dyke was inspired to write the song from his own experiences as an auctioneer and those of his second cousin, Ray Sims.

He wrote it while stationed in Korea during the Korean War, and first performed it to troops on the same bill as Marilyn Monroe. After finishing his service, Van Dyke entered the song in a Chicago talent contest. It gained him a record contract with Dot Records. “The Auctioneer” subsequently topped the pop music chart, selling 2.5 million copies.


https://en.wikipedia.org/wiki/The_Auctioneer#:~:text=Van%20Dyke%20was%20inspired%20to,his%20second%20cousin%2C%20Ray%20Sims.&text=%22The%20Auctioneer%22%20subsequently%20topped%20the,chart%2C%20selling%202.5%20million%20copies.

            Then because of its popularity, Flippo must have heard this hit repeatedly on his favorite country and western radio station, wondering to himself if it would make a good singing call. All the words in the song made this unlikely—lots of words because of the auctioneer’s chant, but its popularity outweighed that difficulty to Flip. Can’t you see him memorizing all the words then experimenting with the choreography.

HOW FLIPPO CHOREOGRAPHED “THE AUCTIONEER”

When asked how Flippo choreographed “The Auctioneer,” he chuckled. One person, all eight parts! He did it in the living room at 1918 Marshall in Abilene.

That shocked me, so I asked him, “So you danced all the parts?”

Flippo walked through the whole thing. “It’s a terrible figer [figure], the first one [in] the first Auctioneer. Of course, we didn’t have a lot of Basics they got now, so I had six Basics. It’s not too good of a figer [figure]. Nowadays, you have to walk people through it two or three times before they get it, but back then, people, I don’t know .”

His laughter continued as I commented about the feat of him walking through it, one person doing all eight parts.

People tended to memorize singing calls because there weren’t that many basic calls. Now, if Flippo went into their town and called “The Auctioneer,” and changed the figures, “they flat-ass knew it. They knew it. They memorized that— they did better than you did!”

I asked Flip if it was unusual to take a pop song like Leroy Van Dyke’s “The Auctioneer,” and it became popular then in the square dance world. Was that going on or did he kind of pioneer that?

“No, I don’t know what happened thar. I know I went to Houston after he had recorded it, about six months. I don’t know how come it to hit. Callers bought it big.”

Norman [Merrbach from Blue Star Records] didn’t think it would go. Flippo was surprised, and Norman was surprised, too, that it took off like it did, but the reason for that big sale back then was the dancers were buying records, too, and callers. So, callers were buying, and dancers were buying them. “I’s putting ’em in the garage! Breaking ’em!”

Flippo chuckled. “No, I wouldn’t [break ’em].”

Later, “The Auctioneer” was re-released, and Flippo put different figures (calls) to it, and it never did sell like the first one.


Larada Horner-Miller, Just Another Square Dance Caller: Authorized Biography of Marshall Flippo (2020): 95-96

FLIPPO RELEASED THE SINGING CALL, “THE AUCTIONEER”

            So, Flippo started calling in 1952 and released his first singing call, “The Auctioneer” in 1958, just two years after Van Dyke’s release, so the song’s mystique still held over. Several serendipitous events made this monumental event happen.

The turning point in his career happened in the Hayloft in Abilene. It was 1957, and Flippo was calling “The Auctioneer.”

One night Flippo was at the Hayloft in Abilene, and he was calling “The Auctioneer” before it was recorded. Two callers from Baytown near Houston had been to Colorado at some square dance and were going through town. They decided to come to Flippo’s dance. One of them had a French name that Flippo couldn’t remember, and the other one was Andy Lyons.

They came up after Flippo called “The Auctioneer” and congratulated him. “That’s pretty damn good.” They encouraged Flip to call Norman Merrbach in Houston, who was the producer of Blue Star records.

They repeated, “Call him.”

Flippo responded, “I’ve never thought anythang about recording it.”

“That’s pretty good. You ought to do it.”

After that, Flip forgot about it. Then he got a phone call from Norman. Norman asked Flippo to send him the words to that song.

So, Flip sent him the words. “Thar’s a lot of words.”

Norman called Flippo up, “I believe I’m going to pass on that ’cause callers want one with not too many words, and they don’t have to learn all the words.”

So, Flippo understood that, and he continued calling for a couple months. Then Norman called him up again and asked him to come to Houston “and do that thang.’”

Flippo answered, “Well, I’ve got to work Monday. I’ve got a dance Saturday night in Abilene, here. How far is it?”

“It’s three hundred and sixty-five miles.”

He stalled a little, “I don’t know.”

Norman persisted, “Well, I’ll tell you how you can do it. After that dance, start driving down here.”

“What you mean—at night?”

“Yeah, drive down here and get here early morning and we’ll do the thang. You can drive back and be ready to go to work Monday.”

Flip’s humor prevailed, “Wait a minute. You must be talking about my brother, and I don’t have a brother.”

Norman encouraged Flip to think about it.

So, Flippo asked Neeca, “You thank we could cut this? Go down?”

“Oooh,” she exclaimed, “I bet Momma and Daddy would go with us, and they can both drive. I can drive. We’ll take turns about sleeping.”

There were three sitting up in the front seat, one in the back seat trying to sleep. They drove down to Houston and got there about nine in the morning, just in time for Flippo’s appointment. “We had breakfast at a Sambo’s, which they don’t have anymore. I remember Fred trying to pay for it. Fred was Neeca’s dad.”

Flippo told his father-in-law, “No, you drove down here. Let me get it.”

Fred answered, “You don’t have any money. I have your billfold right here. You left it up on the table last night at the dance. Bless your heart!”

They went to Norman’s place, Norman and Nadine Merrbach, the owners and producers of Blue Star Records. “He was really a good guy and a good engineer.”

They did the recording in the studio, and “the studio acoustical stuff was egg crates.”

“I can see the studio from my mind right now. We went in and when they played it, I called it at the same time. Well, I remember one time we had trouble. I’d make a mistake and we’d have to start over, and then somebody else would make a mistake. It wasn’t one of those days that everythang went well.”

But now “The Auctioneer” went really well. Flippo hit it the first time, and of course he had been calling it with a band for a long time, so he was lucky to get out of there, and they headed back to Abilene. They got back in time to get a little sleep and go to work the next day.

“Anyway, ‘The Auctioneer’ hit pretty good. Well, I’d say, you know, all of my career I just lucked out, being in the right place at the right time. I don’t know what it was, and ‘The Auctioneer’ hit really good.”

Flippo was pleased with the way it sounded, but he didn’t realize it was anything big. He would think about it from time to time. Then the square dance magazine started praising it. “The only thang I can thank of is a lot of dancers bought records at that time, and learned the singing call that was on the record.”

The records were only sixty-five or seventy cents apiece, and they were 78 records. You could take a pile of them into a dance and they’d just be gone in a minute. People were just hungry for some kind of records to play at home or listen to. And some callers started from listening to tape recorders and to records. “They picked up ideas, started calling, and some of them turned into really good.”

Flippo remembered calling with a band in Houston one time. He turned around and asked them if they knew “The Auctioneer.”

Their response, “Oh, yeah, yeah. We done that. We can play it for you if you want to call it. Ohhhh, that’s Norman’s big one!”

They repeated, “Oh, that’s Norman’s big one, big one.” Flip repeated their response and chuckled.

“Well, I thank I’ll call it next the tip.”

So they did a good job on it, and they said this is “going to make ole Norman.”


Larada Horner-Miller, Just Another Square Dance Caller: Authorized Biography of Marshall Flippo (2020): 93-95
Norman Merrbach congratulated Flippo for his first Gold Record Award for "The Auctioneer."
Norman Merrbach congratulated Flippo for his first Gold Record Award for “The Auctioneer”

What an amazing story! Little did that band know that this song launched Flippo’s career, skyrocketing him to become a legend in the square dance world. In 1967, Flippo received a Gold Record award for “The Auctioneer” selling 500,000 records, an outrageous number for the day.

Thinking back over Flippo’s story, have you ever had a series of events unfold in your life to create something unthinkable? Let me know. (Scroll down below to make a comment)


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Just Another Square Dance Caller cover - The Auctioneer

~HAVE YOU ORDERED YOUR AUTOGRAPHED COPY OF THE FLIPPO BIOGRAPHY? AVAILABLE NOW! Go to the homepage on my website & pay for it there: https://www.laradasbooks.com

~Here’s Christmas greetings from Flippo & Neeca, featuring his song, “When Its Christmas Time in Texas”: https://youtu.be/mpJCUGffU3A

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Marshall Flippo · My Thoughts · square dance

Flippo & Obstacles He Faced

Young Flippo—Obstacles he faced
Flippo as a Young Caller

To think the Flippo we knew faced many obstacles as a young caller! Square dancers all over the world know the refined quality of the program Marshall Flippo presented at any dance he called—smooth rhythm, wonderful choreography and a beautiful voice. It wasn’t always that way.

“Marshall Flippo’s calling career could easily have not happened. In fact, Flippo missed his first night of square dance lessons. Initially, he couldn’t connect with the music and find the beat. Being a shy man by nature, his temperament could have stopped him from becoming the well-known caller who’s so well- loved. Just one of these could have been fatal, but Flippo faced all three and over-came the challenge placed before him.”

Larada Horner-Miller, Just Another Square Dance Caller: Authorized Biography of Marshall Flippo, (2020): 81.

Flippo and Neeca and their good friends, Hub and Hazel Evans, arrived at their first square dance lesson late, so the guys refused to go in. The women made sure they were on time the next week. Thank God for Neeca and Hazel’s unflagging commitment. Once there, Flippo fell in love with what the whole activity offered: physical contact, friendly people and movement to music.

After their lessons, Betty Casey, their class caller and Flippo’s mentor, encouraged them to go out to a local dance at the YMCA. She assured these fledgling dancers J. C. Wilson, the caller, would be good to them. This time they took a complete square with them, squared up and the first call J. C. called they’d never heard. So, they tried to sit down, but J. C. noticed their evacuation from the floor, so he stopped the dance and separated the dancers.

“Flippo added with a laugh, ‘And God, strangers coming up thar and getting us. I never did see my wife again until the end of the dance, so they split us all up, and we had one hell of a good time, you know.’”

Larada Horner-Miller, Just Another Square Dance Caller: Authorized Biography of Marshall Flippo, (2020): 82.
J. C. Wilson-Obstacles he faced
J.C. Wilson

What they experienced as beginner dancers at the hands of J. C. Wilson and those experienced dances exemplify true square dance hospitality. What happened kept these couples and a great caller wanting to dance.

Flippo and Neeca’s love of square dancing continued to grow, so his becoming a caller seems like a natural progression.

When I asked Flippo why he started calling, he answered,

“I thought, ‘Maybe I can do this in time.’ I loved to sing. I was out of lessons about a year before I ever started. Thar was two square dance clubs, and they were both full. They both had waiting lists for people to get in. The list wasn’t that long, probably ten to twelve couples. So, we put our names in for that one downtown. They could only dance twenty-five squares.”

Larada Horner-Miller, Just Another Square Dance Caller: Authorized Biography of Marshall Flippo, (2020): 83.

So, Ed Hall had a chicken coop in Wylie, near Abilene, that he offered to clean up for a small square dance hall. It would dance three squares. Twelve couples signed up, and they danced to records for a while and then had a live two-piece band, but they needed a caller.

“One night someone had a suggestion. Thar’s twelve of us here. Why don’t we all learn to call? And we won’t have to have a record or a band, so we’ll just be our own caller.’

So that’s the way it started. Flippo remembered the first one he called. Singing calls didn’t appeal to him too much at that time, so he learned patter. First one he learned was ‘Dip and Dive.’ So, they all learned some kind of calls. “Some guys were good. I wasn’t one of the good ones.”

Larada Horner-Miller, Just Another Square Dance Caller: Authorized Biography of Marshall Flippo, (2020): 83.

After deciding to call, Flippo faced one of his obstacles as a caller: he couldn’t keep the beat. Would this be the obstacle that would block our world-renowned Flippo?

“At one point, Neeca told him, ‘You can’t stay on beat. What’s wrong with you? Can you pat your foot to the music?’

‘Yeah,’ Flippo explained. He had a ‘Turkey in the Straw’ record, and he would go in the front bedroom of their house because they had no furniture in there and he had a little record player.”

Larada Horner-Miller, Just Another Square Dance Caller: Authorized Biography of Marshall Flippo, (2020): 83-84.

Neeca would listen to him practice and stand it as long as she could, then she’d question him about his ability to stay on the beat. She finally suggested to say something every time he pat his foot with the beat, and that seemed to help.

Recently I heard a long-time caller friend of Flip’s say that Flippo said more words in his calling than any other caller because of his problem with keeping the beat.

Flippo persistently worked hard at mastering his craft. He would not let this get him down. Feeling a little confident, he ventured out after a time. First, he made his calling debut in Abilene at the CrossTrail square dance club, one club that they had been on the waiting list. He made a mistake on his first try and had to restart—he saw Neeca duck into the bathroom.

Melton Luttrell-Obstacles he faced
Melton Luttrell

For his next calling adventure, Flippo and a group traveled out-of-town to Cisco, Texas, to dance to the legendary Melton Luttrell. Two couples that came with Flippo told Melton that he had started calling. The hospitable move then was to invite the visiting caller to the stage to call. So Melton invited Flip up to call (this was when he was having trouble staying on the beat). Scared to death, he didn’t share with me how he thought the evening went.

Before they left the dance hall to go home, Flippo had seen the two couples talking to Melton after he called, so Flip asked them what he said.

They said, “Melton told us to tell you, ‘Don’t quit your day job!’”

Instead of discouraging Flippo, he went home and continued his practice, working hard on keeping the beat. The next time they returned to Cisco, Melton again invited him to call a tip, but this time, Melton noticed a marked improvement and told Flippo.

Wagon Wheel Dance Hall-Obstacles he faced
The Wagon Wheel Dance Hall

From those early days, Flippo called locally in Abilene, first at the Hayloft and then helped build the dance hall, The Wagon Wheel. He faced adversities that might have made someone else quit, but that was not Flippo’s nature. Because he never faltered but persisted, his calling career exploded so the obstacles never stopped him, and we’re the luckier for it.

Did you know this about Flippo? I would appreciate any comments! Scroll down below the information for the Comment section.


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Just Another Square Dance Caller Cover-Obstacles he faced

~HAVE YOU ORDERED YOUR AUTOGRAPHED COPY OF THE FLIPPO BIOGRAPHY? AVAILABLE NOW! Go to the homepage on my website & pay for it there: https://www.laradasbooks.com

~Pre-Order My New Book, Coronavirus Reflections: Bitter or Better? To be released mid-Junehttps://docs.google.com/forms/d/e/1FAIpQLSdJNjMivaCzk2YcNWHGMoxG4FPsfVEqEQEzYbcYr4tX9cDPVQ/viewform?usp=sf_link

~Here’s Christmas greetings from Flippo & Neeca, featuring his song, “When Its Christmas Time in Texas”: https://youtu.be/mpJCUGffU3A

ALL FOUR E-BOOK FORMATS OF FLIPPO’S BIOGRAPHY AVAILABLE NOW:

~Stop by my website for all the information you need about me & my books: https://www.laradasbooks.com

~Drop by my Amazon Author’s Page: https://www.amazon.com/~/e/B00LLQTXSM

~VISIT MARY ZALMANEK, A FRIEND’S BLOG: Cooking in a One-Butt Kitchen | Eating Well in Small Spaces: https://cookinginaonebuttkitchen.com/

Book Production · Marshall Flippo · My Thoughts

One Year Later! Let’s Celebrate Flippo’s Biography!

One Year Celebration!
Photo by Rakicevic Nenad from Pexels

Let’s celebrate one year since I released Flippo’s biography!! So much goes into publishing a book! Here’s what I did with Flippo’s. On May 3, 2020, I uploaded three formats of Flippo’s biography to Ingram Sparks’ publishing company. Flippo wanted hardback copies available, so that’s why I selected Ingram to publish his biography. I also published the paperback and Kindle e-book version through KDP on Amazon with the publication date of May 8, 2020. Whew! A year ago, I met myself coming and going for sure!

One year—that’s hard to believe! Because I self-publish, I do all the work to prepare a book to be released: create the cover and the interior. What made this an outrageous task is I had three covers to make: the hardback, paperback and e-book formats. Then I had to format the interior for each also, making sure each version had its own unique ISBN number! I really worried about messing up on that!

COVERS

Dust jacket for Flippo's hardback book
Hardback Dust Jacket with Template from Ingram Sparks

The hardback version required a dust jacket, which is a much larger space than a paperback cover, so I had to alter it considerably. (See image above.) I battled with the layout, making sure the title stayed on the spine and the text didn’t run over on the folds of the dust cover—tricky for sure!

Previously, I had laid out paperback and e-books covers for my other books, so I had less trouble with these two, and their dimensions were similar, so that helped!

But prior to the actual layout of these, I had to come up with the design. John and Neeca Flippo and I wanted the picture of Flippo calling as a young man with a live band. What a wonderful picture depicting Flippo calling as a young caller! It needed to be the focus point of the cover. Then I searched for the background graphic, and I wanted something that looked like a dance floor and found that.

Then, I experimented with the font and the color of the title, arriving at the one I felt stressed the title and went with the color scheme of the picture and the background. I love all these parts of design work!

Bryan and Kenta Swift helped me with the back cover. I wanted to feature Flippo’s favorite places he called, and they suggested I cluster them around the edges. I first added the four on the top: Asilomar, Kirkwood Lodge, Wagon Wheel, and Chula Vista. Flip had identified those four as his favorites. Then I knew I had to add Japan! He loved his trips to Japan and the Japanese people.

Early in my self-publishing career, advisors encouraged me not to write the book description on the back of the book, so I paid to have someone do that.

INTERIOR OF THE BOOK

Vellum app - One year later

For the interior layout, I used an app, Vellum, which is only available for Mac computers, and I love it. That took time too, though, doing the three formats! Then I decided because this was a history book of square dancing and people might be interested in looking for a specific person or places, it needed an Index. I found an app to help index the keywords, but what a grueling experience that was!

UPLOADS

Finally, I was ready to upload the covers and the interiors for each format. Before this book, I’d only used createspace.com which has become KDP, and I knew their upload process. Ingram Sparks was totally different. It required the .pdf documents for the covers and interiors to be in a specific format, PDF/X-1a:2001.

Adobe’s InDesign app is the publisher’s standard and creates that format, but I don’t have it because of its expense. So, I researched every nook and cranny on the Internet and found a solution—I outsourced my covers and interiors to fiverr.com and someone there converted my files.

So, after I successfully uploaded the documents to Ingram Sparks, I uploaded them to KDP, as well. Each of these publishers provided me with a “eproofs” to look over and give my final approval.

SALES

Stack of books - One year later
Photo by RODNAE Productions from Pexels

After that, the sales poured in from the pre-order list, word-of-mouth and my advertising on the Internet, but because of the coronavirus pandemic, I had a heck of time getting the shipment of books. After several weeks’ delay, I’ll never forget opening the box of hardbacks and holding that precious book in my hands for the first time. I think Flippo would have been proud!

Also, because of the pandemic, CALLERLAB was canceled, and I had planned to release the book there. So, the travel restrictions forced me to have the release party online with Zoom, and we had a fabulous time swopping Flippo stories that night.

With the continued restrictions and no dancing, the sales have dropped off, but I keep Flippo’s biography in front of the dance world on square dance Facebook pages and through emails to possible interested parties.

ONE YEAR LATER

Release party for one-year anniversary of Flippo's biography

Here we are one year later. I know the sales will spike once we dance again. Also, I’m having a Zoom celebration on May 10, 2020 7:00 PM MST to celebrate the one-year anniversary of the release of Flip’s biography, so join me for a fun-filled night. Go to the Facebook Event page and click you are going or email me at Larada@icloud.com

A year later—so much has happened! Have you ever self-published a book? If so, how did it go?

Have you bought your copy of Flippo’s biography yet? If not, now’s a good time!

(Scroll down a little farther below to make comments!)



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Just Another Square Dance Caller cover one year later!

~HAVE YOU ORDERED YOUR AUTOGRAPHED COPY OF THE FLIPPO BIOGRAPHY? AVAILABLE NOW! Go to the homepage on my website & pay for it there: https://www.laradasbooks.com

~One-Year Anniversary of the Release of Flippo’s Biography! Join me to celebrate on May 10, 2021 from 7:00—9:00 PM Email me at larada@icloud.com if you are interested!

~Here’s Christmas greetings from Flippo & Neeca, featuring his song, “When Its Christmas Time in Texas”: https://youtu.be/mpJCUGffU3A

ALL FOUR E-BOOK FORMATS OF FLIPPO’S BIOGRAPHY AVAILABLE NOW:

~Visit my website for all the information you need about me & my books: https://www.laradasbooks.com

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Marshall Flippo · My Thoughts

Flippo’s in the Navy Now!

Flippo, the young sailor in the Nay
Young Marshall Flippo, the Sailor

Navy and Marshall Flippo? Really? I never would have guessed that! Marshall Flippo had an amazing life with world experiences I would have never dreamed of for a boy from Abilene, Texas.

During our interviews, he quickly relayed how he volunteered to join the Navy at the end of World War II. It’s a poignant story.

World War II began on September 1, 1939 and ended on September 2, 1945. In 1944, the war was intensifying. Flippo’s sister, Helen, had already joined and was serving. Patriotism flourished across the country with Flippo experiencing his own version in his small west Texas town.

“I joined the Navy when I turned seventeen in 1944.” After Flippo shared this, he sat quiet—his thoughtful silence spoke volumes.

In reviewing the part in the first interview about him joining the Navy, I mistakenly thought he had falsified his records to join.

Quickly he answered, “Whoa, whoa, whoa!! What did you say about the records?”

From his tone, I realized I had made a mistake. “I thought you told me that you falsified your records when you were seventeen. That’s how you got into . . .”

He interrupted me with a resounding, “No!”

So he explained what happened. “Well, Dad had to sign for me, but we didn’t falsify it. I got in. Daddy signed for me, and I went in on my seventeenth birthday. I didn’t falsify anythang.”

Just Another Square Dance Caller: Authorized Biography of Marshall Flippo, p39.

Before he signed up, Flippo’s friend, R. H. ‘Hub’ Evans returned to Abilene in his Marine uniform and this influenced the young impressionable teenager—Flippo was ready to sign up!

In Flippo’s biography, I divided the Navy section, The Texan Becomes a Sailor, into three chapters:

  • You’re in the Navy Now!
  • USS Lander
  • Three More Ships and Baseball

Flippo’s easily made friends and connected with two men in boot camp, Thurman Curry and Harold Snodgrass. Thurman lived in Abilene, and Harold grew up in Tennessee. I loved his stories about hitchhiking with Thurman to Abilene from San Diego between boot camp and Amphibious Training. No one would dare do that today!

Then the three of them—Flip, Thurman and Harold—enjoyed Harold’s car driving around small towns around Abilene and a trip back to San Diego and then around San Diego.

USS Lander - Navy destroyer tender
USS Lander

After Flippo’s training, the Navy assigned him to the USS Lander, a destroyer tender. As he talked about his years in the Navy, he referenced his War book often. I regret that we never read it together, but I used it as a reference for his biography. The book’s title is USS LANDER 1945, so it had in-depth information about his time on that ship. What a treasure this was for Flip!

Interesting fact about the USS Lander: seventy-five percent of the sailors on the ship had never been to sea before! So Flippo fit right in! He looks so young in the pictures!

Young Navy man onboard ship
Young Flippo, the Sailor onboard ship

It was on the USS Lander, Flippo made his first trip to Japan which began a love affair he had with the country and people the rest of his life.

USS Piedmont

After the USS Lander was decommissioned, Flippo sailed on the USS Piedmont, another destroyer tender, and ended up at Yokosuka Harbor again, right back to Japan, right in the same harbor where he had left a month before.

Did you know Flippo was an athlete? Flippo’s sports career started on the USS Piedmont. They had a football team and baseball team, and he was on both.

USS Wiltsie

Then the Navy transferred him to the USS Wiltsie, another destroyer tender. So, the Navy decided they’d make a team: DesPac, standing for “Destroyers of Pacific.” They took two guys off of all the destroyers who had baseball teams. They selected Flippo as one of the two players from the USS Wiltsie to go the USS Dixie for the DesPac team. They played Navy teams or Army teams who had baseball teams. He ended his Naval career on the USS Dixie, another destroyer tender.

USS Dixie

Finally, the Navy wanted Flippo to reenlist, but he wanted to go home to Abilene—he was done! Laced throughout these three chapters in his biography, Flippo shared a bird’s-eye view of World War II and what it was like on a destroyer tender in Asiatic-Pacific Theater, providing support to the Marines on the shores of Iwo Jima and being a part of the occupying force in Japan.

These four years had a lasting impact on Flippo and his view of life. He entered the Navy a young naïve seventeen-year-old and left a seasoned sailor who had seen the world.

Have you read about World War II? Does seventeen seem young to go to war? Was it different back then? To make a comment, scroll down to the bottom of the page! I’d love to hear from you!


Previous Blog Posts You Might Have Missed

Just Another Square Dance Caller book cover

~HAVE YOU ORDERED YOUR AUTOGRAPHED COPY OF THE FLIPPO BIOGRAPHY? AVAILABLE NOW! Go to the homepage on my website & pay for it there: https://www.laradasbooks.com

~One-Year Anniversary of the Release of Flippo’s Biography! Join me to celebrate on May 10, 2021 from 7:00 – 9:00 PM Email me at larada@icloud.com if you are interested!

~Here’s Christmas greetings from Flippo & Neeca, featuring his song, “When Its Christmas Time in Texas”: https://youtu.be/mpJCUGffU3A

ALL FOUR E-BOOK FORMATS OF FLIPPO’S BIOGRAPHY AVAILABLE NOW:

~Visit my website for all the information you need about me & my books: https://www.laradasbooks.com

~My Amazon Author’s Page: https://www.amazon.com/~/e/B00LLQTXSM

~ Visit my Etsy Shop: https://www.etsy.com/shop/LaradasReadingLoft

~VISIT MARY ZALMANEK, A FRIEND’S BLOG: Cooking in a One-Butt Kitchen | Eating Well in Small Spaces: https://cookinginaonebuttkitchen.com/

Marshall Flippo · My Thoughts · square dance · Writing

How Do You Start a Biography?

Cover of Flippo - start a biography

After several hours of interviews, Marshall Flippo had definite ideas how to start his biography. He ended up with two unique pieces he wanted, so my dilemma became, which would it be?

His passionate interest in the intricacies of his biography fascinated me. Then I found out he had prior experience with book publication because he wrote a chapter in Bob Osgood’s book, The Caller Text. Flippo was one of the contributing callers, writing chapter 24: “Building and Maintaining a Repertoire.”

As we discuss the layout of the book, Flip stated, “I have a dirty joke a caller’s wife told me the first time I met her, and I want you to start my book with it. I’ll tell it to you, and then you clean it up so we can use it.” Then he told me the joke, and I howled because I loved Flippo’s outrageous humor. I assured him we could use it, but I wondered about starting his life story with a dirty joke.

Laughter - start a biography
Photo by Andrea Piacquadio from Pexels

But as I transcribed the interviews and relived our 40+ hours together, I realized that humor defined Flippo in a way I hadn’t realized. His practical jokes and stories about his caller friends showed the humorous life he lived!

Another reason for humor came up when I transcribed the first few interviews and Flip was still alive. I sent him a copy of the interviews so he could answer questions I had.

In his raspy Texas drawl, he stated, “Take the giggles out!”

I laughed and replied, “Flip, any time you giggled in the interviews, I put in the word “Giggle” to remind me when I wrote the actual text, I wanted to remember to add your laughter.” He accepted that. Yes, he laughed a lot in the interviews, reminding me how much he enjoyed his life.

Also, Flippo told me repeatedly he wanted people to laugh when they read his biography. So, I understand the reason to start with a joke.

Hs joke is hilarious about some hunters caught in a cabin in a snowstorm and nature calls—you’ll have to buy the book to get the full joke.

So, we went with that for a few months. Flippo often returned to the joke, chuckled and wrote a reminder to himself to phone the caller and ask permission from his wife to include her name in the book. Somehow, he never made that call, so I emailed the caller about this touchy topic. He said his wife would prefer not being named.

I felt good about the joke and the start of this book. After several months, during one of our weekly interviews, Flippo stated, “I have something else I want to start the book with.”

Not knowing what was coming, I sighed and wondered what it could be.

Flippo added, “I want a tribute to those callers who’ve gone and helped me get started.”

After this poignant request, I swallowed, and the lump in my throat expanded. I stopped the tears because I had to listen.

“Okay, we can do that, but what about the joke?” I asked.

Easily he figured, “Put the joke after this part,” so I did.

So, once again Flippo recited a list of callers’ names to me who he wanted in this part. The first part consisted of Abilene, Texas callers: Betty Casey, J. C. Wilson, Bob Sumrall and Owen Renfro.

Then he named Bob Osgood, Bob Page, Arnie Kronenberger, Bob Van Antwerp, Joe Lewis, and Bill Castner. Those men lived all over the United States. He told stories on each, and the gratitude he expressed about these people was palatable.

In my research, I found a picture of everyone but Betty Casey, so I added her signature. I loved adding the pictures to provide a visual to the name. Some names are historical callers in the square dance world.

Sadly, two callers died near Flippo’s death who he might have added to this list: Frank Lane and Lee Kopman. I added them here because of their gigantic contributions to square dancing over the years. Also, Flippo loved and admired both of them.

Honor those who go before you—yes, that’s the man Flip was!

Finally, how we started Flippo’s biography depicted him to the tee: a spicy sense of humor and deep gratitude to those who went before him and helped him get his start as a caller.

One last note: I started Flippo’s biography with an unusual piece we never talked about with the assistance of his son and ex-wife. Someone who preordered Flip’s biography asked before he died if she could get her copy autographed by Flippo. After he died, that question haunted me. How could I do it?

I emailed John and Neeca, and Neeca found this treasure on a card he sent her years ago—how appropriate it was to use because he truly loved all of his friends.

Love Flip - start a biography

How do you start a biography? I believe there’re hundreds of ways to do it, but the solution is in the person the book is about! What best portrays the subject?

What do you think? How do you think a biography should start?

Previous Blog Posts You Might Have Missed

Cover for Just Another Square Dance Caller

~HAVE YOU ORDERED YOUR AUTOGRAPHED COPY OF THE FLIPPO BIOGRAPHY? AVAILABLE NOW! Go to the homepage on my website & pay for it there: https://www.laradasbooks.com

~Here’s Christmas greetings from Flippo & Neeca, featuring his song, “When Its Christmas Time in Texas”: https://youtu.be/mpJCUGffU3A

ALL FOUR E-BOOK FORMATS OF FLIPPO’S BIOGRAPHY AVAILABLE NOW:

~Visit my website for all the information you need about me & my books: https://www.laradasbooks.com

~My Amazon Author’s Page: https://www.amazon.com/~/e/B00LLQTXSM

~ MARCH MADNESS SALE: 20% Discount my Etsy Shop for select paperbacks & digital copies: https://www.etsy.com/shop/LaradasReadingLoft

~VISIT MARY ZALMANEK, A FRIEND’S BLOG: Cooking in a One-Butt Kitchen | Eating Well in Small Spaces: https://cookinginaonebuttkitchen.com/

Marshall Flippo · My Books · My Thoughts · square dance · Writing

Who Should Write a Foreword to a Biography?

For quite a while, I wondered who Flippo would choose to write the Foreword to his biography. Before he died, I asked him a couple times who he wanted to write it. Each time we broached the topic, he lamented over the fact Betty Casey and J. C. Wilson, his two mentors from the Abilene, Texas area, were dead because they were his first choice. He made no decision before his death. I ended up with the perfect person: John Flippo, his son.

During our conversations, he kept evading the question. I would repeat, “Flip, who do you want to write the Foreword to this book?” Names came up, and his lack of commitment spoke volumes—so many had died already. So, we made no decision before his death.

After he died, I continued to muse over this vital part of the book. My husband, Lin, suggested John Flippo, his son. Immediately, I knew in my heart and soul I had found the right person, so I asked him, and John humbly agreed to write it. Any time Flippo talked of John, his voice softened, and his deep fatherly love shone through, using words like “my best friend“ and “good man.” What powerful words to describe the love and respect Flip had for his son.

In reading John’s Foreword, his words speak reciprocally of his father. Enjoy what John wrote:

FOREWORD

I remember my first-grade teacher going around the room and asking each of us what our fathers did for a living. There were lawyers, doctors, truck drivers, and the like, but when she got to me, I proclaimed my dad was a square dance ca!ler! The whole room busted out laughing.

Restraining her own giggles, the teacher informed me that square dancing was a hobby, not something someone did for a living, but I insisted, with only a hint of doubt in my young voice. She asked where he went in the mornings and what kind of uniform he wore. He wore a bolo tie and cowboy boots, but I was certain that if I mentioned that, I would have been laughed at again.

Being a square dance caller was the only job I knew my dad to have. He was one of the best in the world, but of course he would never say that. People who danced to his calls always made a point to tell me how much he meant to them and how much they loved him.

I never cared for school and didn’t plan on taking any more, so when I graduated high school, I was thrilled. Unfortunately, shortly after, my mom told me that instead of just working at our resort, Kirkwood Lodge, I was going to need to go out and get a real job. This was a responsibility I had never considered, nor thought to consider.

Noticing I was reeling from the revelation, my mom suggested that I go on tour with my dad. She has always been there to rescue me when needed. Going on tour seemed to me a great deal better than getting a real job or going to more school. The plan was to do three months out east, come home for Christmas, and finish with three months out west. Dad made room in the car for my boom box and a few dozen t-shirts, and we were off.

Dad loved everything about touring, and we loved being on the road. We reveled in making good time on a trip (we took this very seriously), getting “smokie” and “statie” reports from the CB radio, finding the cheapest motels in the best locations, and finding the best coffee and breakfast in town. The only thing he didn’t like was doing laundry. He taught me how to do it, and it was clear this was my main purpose in being on the trip. I am still using those skills today at FlipBack, our boutique resale store.

Dad made a point to introduce me right away at the dances. I was shy and tended to mumble, but no one cared about that. I was Marshall Flippo’s son, and that made me royalty and an instant friend of anyone that knew my dad. We both had great memories of that tour. I got to see another side of my dad, and I learned more on that trip than I could have ever learned in school.

When my dad told me Larada was planning on writing a book about him, I was ecstatic. I had always thought his life would make a great book, and I was immediately on board. He was a little harder to sell. He didn’t want the cover to mention square dancing, or have a picture of him on it, and he figured the book would be better if he didn’t talk about himself. Fortunately, Larada won him over. I could tell, the more they worked together, he began to look forward to their weekly interviews. He would even take notes during the week of things he wanted to go over or something he thought might be interesting. I hope you enjoy this book as much as he and Larada did in putting it together.

John Flippo June 5, 2019

When I read this Foreword for the first time, I choked up—what a precious tribute to Flippo from his loving son.

In 2021, I plan to feature monthly an excerpt from the book, Just Another Square Dance Caller: Authorized Biography of Marshall Flippo, for your reading enjoyment.

In conclusion, if asked to write a Foreword for your dad or mom’s biography, how would it sound? How about if your children wrote yours, how would they describe your relationship? Something to think about.


Here’s a chance to see my blog posts from the last two weeks:

~My Agony of Waiting

~Did Democracy Win? Hell, Yes!

Just Another Square Dance Caller Meme

~HAVE YOU ORDERED A PERSONALLY AUTOGRAPHED COPY OF THE FLIPPO BIOGRAPHY?   AVAILABLE NOW! Go to the homepage on my website & pay for it there: https://www.laradasbooks.com

~Here’s Christmas greetings from Flippo & Neeca, featuring his song, “When Its Christmas Time in Texas”: https://youtu.be/mpJCUGffU3A

ALL FOUR E-BOOK FORMATS OF FLIPPO’S BIOGRAPHY AVAILABLE NOW:

~Visit my web site for all the information you need about me & my books:  https://www.laradasbooks.com

~Larada’s Amazon Author’s Page: https://www.amazon.com/~/e/B00LLQTXSM

~ Visit my Etsy Shop for all my books for a Valentine’s Day discount of 25% off select books and bundles:   https://www.etsy.com/shop/LaradasReadingLoft

 Enter the $400 Valentine Giveaway & WIN a $400 Amazon eCard! Only One Lucky Winner – Why not YOU? ~> http://ow.ly/L7Vn50DkYGN

~VISIT MARY ZALMANEK, A FRIEND’S BLOG: Cooking in a One-Butt Kitchen | Eating Well in Small Spaces: https://cookinginaonebuttkitchen.com/

Coronavirus · Goals · Marshall Flippo · My Books · My Thoughts

What Does 2021 Hold For Us?

2021
Photo by Vladislav Murashko from Pexels

2021 is here! Yahoo! Happy New Year! Whew! I thought it would never come! Closing 2020 with a quiet bang, I look to opening up 2021 with enthusiastic gusto!

But like so many others, I reminisced about meaningful past New Year’s Eves, and one repeatedly came to mind. In 2017 many square dance callers and dancers met in Green Valley, Arizona to witness Marshall Flippo call at his last square dance on New Year’s Eve 2017.

Flippo’s Last Dance 2017

Many national callers came out to see their mentor and friend end a 60 year+ career. Numerous dancers traveled from far and wide to hear Flippo call one last time. I felt the magic in the air that night—sadness mixed with deep love and appreciation. I will never forget that evening nor my dear friends in attendance.

This year, we celebrated a quiet one. We watched “Bells of St. Mary” with Bing Crosby and Ingrid Bergman and cried at the ending even though we had seen it before. After the movie, we prepped an elk roast and vegetables to cook in the crockpot overnight for our New Year’s Day dinner. Then we ended the year watching the celebration on the plaza in Santa Fe, NM—what a New Mexican party it was. I loved that they sang, “Las Mañanitas!” to bring in the new year!

So, let’s talk about this new year. 2021 is an empty book, a new chapter, today a blank page in my life! What will I do in 2021 with still so much uncertainty? Yes, we have the vaccine, but not many people have been inoculated yet. So, we need to be cautious and use those familiar safety suggestions:

  • Masks
  • Social distancing
  • Wash, wash, wash our hands

That just reminded me of a hilarious experience Lin and I had on cruises we have taken. Greeting us at the door of any restaurant onboard, two ship employees sprayed our hands with sanitizer and sang, “Washy, washy.” What made this so hilarious was the enthusiasm they did their task with—smiles and pure joy! I wish most Americans handled all the safety suggestions with such joy and enthusiasm!

So, as I ponder 2021, I think about a day in this year as being a blank page—the nemesis of many writers. I love the sight of a clean page, a new year, a new beginning. I choose what’s written there. I choose my attitude with which I face each day. I choose to be positive and proactive.

So, I spent part of yesterday and today reading book marketing ideas to prepare for this new year as an author. I jotted down several new ideas to incorporate into my plan for 2021. I also thought about how I want my life to be different, especially incorporating what I learned in my solitude in 2020.

2021 Goals
A Word Cloud of My 2021 Goals

So, here’s my list (more than book marketing stuff):

  • Publish a new book, Bitter or Better: My Year’s Coronavirus Journey
  • Do my daily Quiet time
  • Dance
  • Attend recovery meetings
  • Dance
  • Promote my books, especially the Flippo book at dance events
  • Dance
  • Exercise
  • Dance
  • Spend time outside in nature
  • Dance
  • Connect face-to-face or virtually with family and friends
  • Dance
  • Recreational Reading
  • Dance
  • Visit our family ranch in Colorado
  • Dance

As you can see, dancing tops my list of activities I want to add back this year.

As I face 2021, a year with possibilities, adventures and people, I wonder. I know I thought 2020 had all those possibilities. Will this year be different or more of the same? I’m sure the first part will feel very similar to 2020, but hopefully mid-year 2021 will take a turn towards normalcy.

What do you think?

I do want to end with some 2020 humor. This was shared our Next Door app before the end of the year, and I thought it was hilarious:

2020 – A YEAR IN REVIEW!!! I hope everyone can get a chuckle from this!

  1. The dumbest thing I ever bought was a 2020 planner.
  2. I was so bored I called Jake from State Farm just to talk to someone He asked me what I was wearing.
  3. 2019: Stay away from negative people. 2020: Stay away from positive people.
  4. The world has turned upside down. Old folks are sneaking out of the house & their kids are yelling at them to stay indoors! 5. This morning I saw a neighbor talking to her dog. It was obvious she thought her dog understood her. I came into my house & told my cat. We laughed a lot.
  5. Every few days try your jeans on just to make sure they fit. Pajamas will have you believe all is well.
  6. Does anyone know if we can take showers yet or should we just keep washing our hands?
  7. This virus has done what no woman has been able to do. Cancel sports, shut down all bars & keep men at home!
  8. I never thought the comment, “I wouldn’t touch him/her with a 6-foot pole” would become a national policy, but here we are! 10. I need to practice social-distancing from the refrigerator.
  9. I hope the weather is good tomorrow for my trip to the Backyard. I’m getting tired of the Living Room.
  10. Appropriate analogy. “The curve is flattening so we can start lifting restrictions now” is like saying: “The parachute has slowed our rate of descent, so we can take it off now.”
  11. Never in a million years could I have imagined I would go up to a bank teller wearing a mask & asking for money.
  12. The spread of COVID-19 is based on 2 things:
    1. How dense the population is;
    1. How dense the population is.

~Visit my Christmas blog posts:

Just Another Square Dance Caller cover

~HAVE YOU ORDERED A PERSONALLY AUTOGRAPHED COPY OF THE FLIPPO BIOGRAPHY FOR A CHRISTMAS PRESENT FOR A LOVED ONE OR YOURSELF?   AVAILABLE NOW! Go to the homepage on my website & pay for it there: https://www.laradasbooks.com

~Here’s Christmas greetings from Flippo & Neeca, featuring his song, “When Its Christmas Time in Texas”: https://youtu.be/mpJCUGffU3A

ALL FOUR E-BOOK FORMATS OF FLIPPO’S BIOGRAPHY AVAILABLE NOW:

~Visit my web site for all the information you need about me & my books:  https://www.laradasbooks.com

~ END OF THE YEAR SALE: Visit my Etsy Shop for 25% off individual paperback titles & bundles. Good until JANUARY 15, 2021. https://www.etsy.com/shop/LaradasReadingLoft

Christmas · Marshall Flippo · My Thoughts · square dance

Holiday Greetings From the Flippos and Who Else?

Holiday greetings

I love history so here’s a square dance history lesson about annual holiday greetings featured in Sets in Order magazine! From 1948 – 1985, Bob Osgood, the editor of Sets in Order, published a square dance magazine which dancers and callers waited for each month. He jam-packed each issue with pertinent information about this pastime and career that so many loved.

Each year in the December issue, Bob went above and beyond by featuring many callers with a greeting in the footer on many pages. Dancers searched the holiday magazine to see a seasonal greeting from their favorite caller and spouse. This idea personalized that magazine.

From 1964 – 1985, Bob had a greeting from Flippo each year. He repeated other callers throughout the years, but Flippo was the constant for twenty-one years! See Flippo & Neeca’s holiday greetings and listen to Flippo’s Texas holiday song. “When It’s Christmas Time in Texas”: https://buff.ly/2VhFtKk

So, who besides Flippo and Neeca did Bob spotlight for these holiday greetings? After looking through several past issues, I decided to feature one from the 60s, the 70s, and the 80s. Just an aside—the one from the 80s was the last issue of Sets in Order.

Here are lists from 1965, 1975, & 1985. The names underlined & bolded repeat more than one year.

Sets in Order December 1965 Cover & Holiday Greeting
Sets in Order December 1965 Cover

From December 1965:

  • Bob & Becky Osgood
  • Frank & Ethel Grundeen
  • Joy Cramlet
  • Merl & Delia Olds
  • Betty & Marvin Franzen
  • Barbara Stringer
  • Polly Abraham
  • Chuck & Dottie Jones
  • Roy & Jane McDonald
  • Arnie & Jan Kronenberger
  • Bill & Julie Royston
  • Ross & Phyllis Reeder
  • Jay & Ruth Orem
  • June & Walt Berlin
  • George & Mary Kay Elliott
  • Willie & Vonnie Stotler
  • Bob & Nita Page
  • Joe & Barbara Fadler
  • Frank & Carolyn Hamilton
  • Ken Collins
  • Bob & Roberta Van Antwerp
  • Forrest & Kay Richards
  • Jack & Ann Jackson
  • Tommy & Donna Cavanagh
  • Earle & Jean Park
  • Jack & Darlene Chaffee
  • Earl & Marion Johnston
  • Joe & Claire Lewis
  • “Dude” & Thena Sibley
  • Ed & Dru Gilmore
  • Lee & Mary Helsel
  • Frank & Barbara Lane
  • Johnny & Marjorie LeClair
  • Manning & Nita Smith
  • Marshall & Neeca Flippo
  • Don & Marie Armstrong
  • Bob and Babs Ruff
Sets in Order December 1975 Cover & Holiday Greeting
Sets in Order December 1975 Cover

Ten Years later, from December 1975:

  • Joy Cramlet
  • Bob & Becky Osgood
  • Ray & Elizabeth Jensen
  • Ken & Sharon Kernen
  • Henry & Mary Mayor
  • Walt & June Berlin
  • Manning & Nita Smith
  • Sandie Sanders
  • Marshall & Neeca Flippo
  • Chuck & Betty Pratt
  • Bob & Babs Ruff
  • Orphie Easson
  • Zabby & Lorraine Zabaro
  • Lee & Mary Helsel
  • Jim & Clara Mayo
  • Jerry & Kathy Helt
  • Frank & Barbara Lane
  • Lee & Jeanne Myers
  • Johnny & Marjorie LeClair
  • Bob a& Phyllis Howell
  • Bob & Roberta Van Antwerp
  • Masaru & Yumiko Wada
  • Ken & Dottie Collins
  • Dick Houlton
  • Tommy & Donna Cavanagh
  • Bob & Nita Page
  • Charlie & Bettye Procter
  • Curley & Ruthie Custer
  • Harry & Clara Lackey
  • Bob & Shirley Dawson
  • Ken & Doris Anderson
  • Vaughn & Jean Parrish
  • Elmer & Margie Sheffield
  • Ernie & Lani Kinney
  • Martin & Terry Mallard
  • Bill & Betty Peters
  • Harold & Li Bausch
  • Ed & Phyllis Fraidenburg
  • Chris & Ruthie Vear
  • Max & Margaret Neumann
  • Warren & Marilyn Rowles
  • Frank & Ethel Grundeen
  • John & Lorraine Melrose
  • Al & Jean Brownlee
  • Shelby & Laura Lee Dawson
  • Bob & Shirley Wickers
  • Dick & Susan Leger
  • Joe & Barbara Fadler
  • Jack & Carolyn Lasry
  • Don & Marie Armstrong
  • Jack & Thelma Murtha
  • Bruce & Shirley Johnson
Sets in Order December 1985 Cover & Holiday Greeting

Ten Years Later, from December 1985

  • Milt & Lorraine Zabaro
  • Joy Cramlet
  • Bob & Becky Osgood
  • Henry & Mary Mayor
  • Dawn Draper
  • Evelyn Koch
  • Nikki Campbell
  • Chuck & Betty Pratt
  • Charlie & Betty Procter
  • Frank & Barbara Lane
  • Daryl & Yvonne Clendenin
  • Mike & Gail Seastrom
  • Bob & Roberta Van Antwerp
  • Wade Driver
  • Harmon & Betty Jorritsma
  • Bill & Betty Peters
  • Gene & Thelma Trimmer
  • Carolyn & Jack Lasry
  • Ray & Donna Rose
  • Bill & Bobbie Davis
  • Cal & Judy Campbell
  • Ed & Barbara Butenhof
  • Max & Margaret Neumann
  • Johnny & Marjorie LeClair
  • Frank & Ethel Grundeen
  • Bob & Babs Ruff
  • Ray & Margaret Orme
  • Joe Fadler
  • Herb & Erna Egender
  • Marshall & Neeca Flippo
  • Bruce & Mary Johnson
  • Ken & Sharon Kernen
  • John & Freddie Kaltenthaler
  • Jay & Ruth Orem
  • Walt & June Berlin
  • Cal & Sharon Golden
  • Marvin & Lillian Franzen
  • Rusty & Barbara McDonald
  • Stan & Cathie Burdick
  • Jim Spence
  • Frank & Carolyn Hamilton
  • Manning & Nita Smith
  • Arnie & Anne Kronenberger
  • Santa Barbara Square Dancers
  • Charlie & Don Dillinger
  • Don & Marie Armstrong
  • Rip n’ Snort

If this has piqued your interest, to see all the issues from Sets in Order issues, go to: http://newsquaremusic.com/sioindex.html

If you would like your own set of this fascinating historical collection, to buy the two CD set, go to https://lloydshawfoundation.weebly.com/books.html

The price is $18 for non-members & $20 for members of the Lloyd Shaw Foundation.

History buffs, do you recognize the callers? To how many did you dance? Who was your favorite? Let me know how many you recognize.


~Visit my two blog posts from last week:

Book cover for Just Another Square Dance Caller

~HAVE YOU ORDERED A PERSONALLY AUTOGRAPHED COPY OF THE FLIPPO BIOGRAPHY FOR A CHRISTMAS PRESENT FOR A LOVED ONE OR YOURSELF?   AVAILABLE NOW! Go to the homepage on my website & pay for it there: https://www.laradasbooks.com

~Here’s Christmas greetings from Flippo & Neeca, featuring his song, “When Its Christmas Time in Texas”: https://youtu.be/mpJCUGffU3A

ALL FOUR E-BOOK FORMATS OF FLIPPO’S BIOGRAPHY AVAILABLE NOW:

~Visit my web site for all the information you need about me & my books:  https://www.laradasbooks.com

~ Visit my Etsy Shop for 25% off individual paperback titles. Good until December 20, 2020. Here’s the coupon link: https://www.etsy.com/shop/LaradasReadingLoft?coupon=25OFFS&IA1220INDIV

Marshall Flippo · My Thoughts · square dance

Marshall Flippo: Gone for Two Years but Not Forgotten

Marshall Flippo
Marshall Flippo

Yes, it’s hard to believe! Marshall Flippo died November 4, 2018, and here we’ve lived two years without him. Hopefully for those who bought his biography, you’ve been able to keep his memory alive and celebrate his life.

Lin and I watched Disney’s “Coco,” to add to my celebration of the Día de los Muertos (Day of the Dead) in my blog from last week. What a precious story that is! One of the premises in the movie is Miguel’s father, Hector, abandoned the family, so for several generations they banned music in their homes, and they cut Hector’s photo out of the picture celebrated on Día de los Muertos. So, on the Día del los Muertos, Hector came to the gate to cross over to join his family’s celebration, and the gatekeeper denied him because no one posted his picture—Hector’s retribution!

As I thought about this story line and the loss of Flippo and so many dear friends and family, I wondered what Flippo, Frank Lane, Lee Kopman, and many others were doing right now, so here we go!

Frank Lane died on October 31, 2018, Flippo on November 4 and Lee Kopman on November 13—within three weeks, three major square dancers lost to this world. Unlike the movie, “Coco,” the inhabitants of the Great Beyond look young and vibrant. When Flippo passed away, Frank greeted him warning him about the smoking policy in their new place. To Frank’s surprise, Flip stated, “I don’t want a cigarette!” Miracles do happen!

Then Flippo added, “Frank, have you played ‘Petals Around the Rose’ recently?” Frank laughed and said, “I’ve played it several times up here.” Soon the two of them greeted Lee—a heavenly reunion. Square dancers rejoiced and have enjoyed many festivals since this trio arrived.

Dia de los Muertos 2020 arrived and many of our deceased loved ones crossed the bridge and joined us on this memorable day whether we saw them or not, so obviously we remembered them with photos and reminisces.

Bob Osgood
Bob Osgood

After their return across the bridge before dawn, dancers donned their festive square dance attire and participated in a gigantic dance with this powerful threesome calling on the biggest celestial stage with live music similar to our amazing Ghost Rider Band. This heavenly band included Pancho and Marie Baird and the Git-fiddlers Band playing with Earl Caruthers and his Hoedowners. Bob and Becky Osgood and Lloyd “Pappy” and Dorothy Shaw organized this big event with workshops on dancing and style. They reminded the dancers about smooth dancing. And was it smooth!

Flippo kept elbowing Frank saying, “Listen to that band! The best I’ve ever heard!” And Frank agreed.

Bettye and Charlie Proctor
Bettye and Charlie Proctor

Favorite cuers like the Manning and Nita Smith, Charlie and Bettye Proctor joined in, providing rounds between tips. The multiple round dance circles filled the whole dance floor.

My dad and mom sought out Flippo and made a strong connection through me. I can imagine the smile on my dad’s face as he danced to these historic callers and cuers!

Neeca Flippo and Barbara Lane sat at the back of the stage, clapping and enjoying their husband’s music and friendship. Norman and Nadine Merbach sat beside them, proud of their star, Flippo.

Lee Kopman wowed everyone with a variety of new moves he’s created in that other world with unfamiliar names and calls I can’t even imagine!

The highlight of this special dance came when this trio invited other callers to join them. The crowd went crazy when their favorites took the stage, yet it appeared the dancers loved all of the callers. Flippo honored his mentors from Abilene, Texas to be the first on the stage during this part of the dance: Betty Casey, J. C. Wilson, Bob Sumrall and Owen Renfro. When they finished, they circled Flippo and celebrated his successful career and their part in it.

Bob Fisk
Bob Fisk

As always, Flippo enjoyed the breaks between tips, socializing with friends. He teased Bob Fisk about his full head of hair. Beryl Main reminded Flippo of his lost suitcase and all the fun they had being “The Chaparral Boys.”  When that topic came up, Jerry Haag joined in the reverie, and Flippo recalled Jerry’s Brenda Flea after party routine.

The Chaparral Boys
The Chaparral Boys

A cluster of callers gathered around Ed Gilmore, an icon in the calling world. Joe Lewis stood near Ed, and Flippo joined them. Flip had always been in awe of Joe Lewis as his hero.

Arnie Kroenberger
Arnie Kroenberger

When the music stopped, Flippo heard a familiar voice and saw a crowd of dancers huddled around Arnie Kronenberger, and immediately he knew Arnie was telling his favorite joke—cleaned up for sure.

Dave Taylor
Dave Taylor

As he surveyed this collection of callers, Flip eyed Dave Taylor and moved towards him.  As they hugged and reconnected, they remembered their countless dances they worked together, especially their trip to England and Dave’s driving on “the wrong side of the road.”

Al "Tex"Brownlee
Al “Tex” Brownlee

After the next tip, Al “Tex” Brownlee shouted, “Flippo, come on over here!” He waved a pair of handcuffs at Flip and began laughing at that hilarious trick he pulled on Flip. Flippo wondered how Tex could tell any of his jokes here, but Tex assured him that he had clean versions.

Bill and Phyllis Speidel
Bill and Phyllis Speidel

Flippo relished his dancer friends as much as his caller/cuer friends. He approached Bill and Phyllis Speidel with a laugh. Bill had his magician outfit on, and he grabbed Bob Fisk to remind him about his cowboy hat that appeared to be ruined so many years ago.

Then Flippo rushed to Whitey Puerling and hugged him close. With tears in his eyes, he recalled their trip to Spain and the Easter parade they never found. Another couple nudged Flippo, Joe and Cricket Young. He left Whitey and visited with them. As happened so often for Flippo when he was at a square dance event—he didn’t have enough time to spend with each friend!

Cal Golden

When Cal Golden took the stage in his glittery costume, the dancers roared. Other callers made their appearance: Bob Page with his wife Nita, Bob Van Antwerp, and Bill Castner. I love it when multitude callers sing together. Later Max Forysth and Johnnie Wykoff joined Bob Yerington and Johnny Davis on stage. Bob and Al Brundage also performed for the crowd. The night ended with C. O. Guest, Billy Lewis and Hotsy Bacon.

After the dance, Harper and Ray Smith organized the after party, the party after the dance, and they are created with its’ beginning. They featured Singing Sam Mitchell and Flippo applauded the loudest—he loved Sam’s singing voice.

This memorable celebration of Dia de los Muertos, square and round dance style, ended in the wee hours of eternity—remember, no time in heaven! As you can see, the beat goes on, and square and round dancing continues to flourish in the next world. Someday I’ll see you there!


~Visit my blog from last week about Día de los Muertos: https://laradasbooks.com/2020/11/01/dia-de-los-muertos-a-celebration-of-the-dead/

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