Marshall Flippo · My Thoughts · square dance

Who Was Bob Osgood in Marshall Flippo’s Life?

Marshall Flippo and Bob Osgood enjoyed an amazing working relationship for many years. Bob, the visionary, and Marshall, the new hot caller made quite a team.

Bob published and edited the square dance magazine, Sets in Order, from 1948 – 85. Flippo’s name first appeared in Sets In Order November 1958 in the “Round the Outside Ring” article for calling at the Permian Basin Festival. “The Auctioneer,” Flippo’s first smash hit, also first appeared in the same issue in the “On the Record” section, listed as a new release.

From then on, readers saw Flippo’s name regularly, whether in reports about where he was calling around the United States or a review of his newest released song.

Flippo’s name appeared repeatedly with song after song being reviewed and lauded in Sets in Order, and Bob noticed this! After Bob hired Flip in 1964 to call at a week and a weekend event at Asilomar, California, he actually saw Flippo in action. Flippo’s skilled calling prowess and his popularity with dancers drew respect from Bob, and their relationship deepened.

“. . .his personal appearance tours throughout the country have given a real ‘lift’ to thousands of dancers,”

Bob Osgood, Sets in Order, (August 1965):33

Bob wrote this in an ad in his Sets in Order magazine, August, 1965 issue.  Flippo’s years of tours touched many lives, his popularity increased, and Bob watched Flippo’s successful calling career grow.

So, Bob started a series called DIALOG in Sets in Order magazine in February 1968 and stated, “This month we inaugurate a new series of dialogues directed to those people who have a desire to call square dances.”

Bob Osgood, Sets in Order (February 1968): 12

First of all, Flippo and Frank Lane teamed up with Arnie Kronenberger and did two interviews for Sets in Order magazine in May and June 1968 on “How Does One Go About Learning to Call?” Bob Osgood wrote in the May issue, the focus: “If you have never called before, then there must be a thousand questions running through your mind. We’ve tried to anticipate some of these, and we’ve brought together several outstanding callers to field the answers for you.”

Bob Osgood, Sets in Order (May 1969): 19

Then the second interview on this topic in the June 1968 issue focused on “Last month we asked this trio of experienced callers several questions having to do with memorizing calls and with sight calling. This month we question them on a variety of related subjects including some hypothetical questions a beginner caller might be expected to ask. We start of by trying to get some opinions.  

Bob Osgood, Sets in Order (June 1968): 19

In the third interview, Frank and Flippo teamed up with Bob Page, longtime friend who Flip worked yearly with at Asilomar, in the DIALOG article titled “Leadership In Square Dancing.” This article focused on “Calling a square dance is only a portion of the caller’s many responsibilities. He is looked up to as a “leader” and there are many opportunities for the caller to evidence good judgment, to develop sensitivity and to provide the type of activity that the dancers hope to receive. We asked three nationally known callers a series of questions and we think you will be interested in their frank replies. We began by asking, “What do you consider the caller’s responsibilities in a club run by the members themselves?”

Bob Osgood, Sets in Order (April 1969): 19

Finally, the fourth interview saw Frank and Flippo back with Bob Page and the title of the DIALOG article was “BuildingDancer Reaction.” Bob Osgood introduced it with “Being able to work with people — with human beings — to impart to them your ideas, to encourage them to follow your instructions and suggestions, is just about as basic to square dancing as it is possible to get. Only the caller who naturally gets on well with others or who specifically trains himself to do so, can really do the job successfully. This month we question three well-known callers on this subject and the first thing we asked them was how to “lift” a group that seems disinterested, that seems to have no spark.”

Bob Osgood, Sets in Order (June 1969): 19.

You can see that Bob identified Flippo as one of the leaders in the square dance world at this time and respected what he had to say. He felt this so much, he asked Flip to write a chapter for a book he published about square dancing, The Caller Text which took 36 years to write.

This dynamo duo loved and respected each other and touched so many with across the country and the world. Enjoy the four articles below.

Here’s the four DIALOG articles from Sets in Order

  1. “How Does One Go About Learning to Call?”
  2. “How Does One Go About Learning to Call?” Second Part
  3. “Leadership in Square Dancing”
  4. “Building Dancer Reaction”

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~Whitey & Gladys Puerling were playful friends of Flippo’s who created a Fan Club. I thought it would be fun to recreate this group. Would you like to join the Marshall Flippo Fan Club Facebook page? Read interesting posts about Flippo’s life. https://www.facebook.com/groups/328325644382769/

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